Return of the Strat

Regret and reconnection, these two words sum up my history with this guitar. December first, 2017 after selling off some 50 pedals and other assorted gear I finally ordered the 1959 Stratocaster I had been dreaming of. I had worked with the buyer over couple days coming to a price that worked for both of us and was now in my budget.

When it first arrived I felt immediate regret. The tuners felt loose, the neck was super skinny (which I later found out is common on Strats of this year) and some of the controls were pretty sloppy feeling. Had I bought a dud? When people say that vintage guitars have their own personalities, they mean it. This guitar likes heavy gauge strings (11’s minimum at Eb) and prefers to be in standard tuning unless you go even heavier. At that point the tuners are rock solid, the frets play smooth and clean, and the guitar sounds incredible. Learning how to get it into the 2 and 4 pickup positions took a little while but have their own rewards. Did you know on a three way selector there are more than 5 pickup combinations? Apparently the 2 and 4 positions can actually “lean” towards the middle pickup and the neck/bridge. Resulting in different tonal combinations which for example could sound pretty much identical to the neck pickup, but both tone pots would affect the tone, giving very slight variations.

I had owned the guitar for just just over a year, have learning all the intricacies and foibles of the guitar over that time. However a new focus on financial freedom, and an immediate need for money to purchase a rental property would mean a need to sell. After fees I made a very small profit but was content that I essentially borrowed a vintage Strat for a year and got paid to do so.

A year and a half goes buy, replacing my guitars with a ‘61 Reserve SVL, which after replacing the middle pickup with a non-reverse wound one got as close to the tone of the ‘59 as any other guitar I had tried in that time. But then came the messages, first from someone who contacted me to see if they could get the buyer information of the Strat to see if they could buy it. That deal didn’t happen, but I was reminded of the guitar and new the buyer still had it and was willing to sell now though. Later when moving videos from my old YouTube account to the new one, I was reminded how incredible that 1959 Stratocaster sounded.

Some messages later, an agreement was struck to essentially refund the original purchase and return the Strat back to my possession. So now it’s back, and this time I’m not making the mistake of letting it ago again… well at least that’s the plan for now.

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2012 Fender American Standard Stratocaster

2012 Fender American StratocasterHere it is, the Stratocaster that I often refer to as “the first”, “the original”or if I’m channeling my inner Stevie, my “Number One”
because it is the first American made Stratocaster (and guitar) that I’ve owned. It was a birthday present from my wife, though I did spend many hours picking it out from all of the strats at the local guitar super store. It’s an ash bodied American Standard with a Sienna Burst paint job and Custom Shop Fat 50s in all 3 positions. The maple neck is well finished with the edges rolled nicely and the fret ends filed smooth. It has a beautiful, subtle wave like grain with a birthmark on the third fret and consistently impresses me in that it feels more like a nicely worn in neck then some Custom Shop necks I’ve tried in the past.

It really exemplifies a guitar who’s tone rings out loud and long. Recently when hammering in a nail into my recently finished basement wall, the same wall where my guitars were hanging, I could hear exactly how different my guitars were acoustically. My recently acquired John Mayer Signature Strat rang out significantly longer then my Black American Standard and my Gold Strat Copy, but my Sienna Strat rang out for what seemed like double the length and volume of even the John Mayer. The neck and body of this guitar are just matched perfectly and the setup from the store was perfect, so much so that I use those measurements to setup the rest of my strats.

Pickups are great all around pickups for The Strat Sound. Bold and punchy but undeniably single coil with sweet tones in the 2 and 4 positions (standard 5-way switch). The bridge pickup is a little shrill at full blast, but thankfully the second tone pot is wired so that you can roll back some of the harshness to get some great rock tones. I run the bridge decked with 5 springs holding it down (no block) so I can’t comment on the tuning stability when using the whammy bar, but  I have no reason to doubt it would be fine for normal use.

All in all I am often seduced into playing one of my other, more interesting strats, but every time I plug this beauty in I am reminded why I chose her in the first place. Tone for days and a comfort in playing that makes you want to forget about pedals and just lay back on a comfy couch and play out the rest of your days, and that is exactly how long I intend to keep her.

Find one now on Amazon.com