The most infuriatingly awesome overdrive.

Love it or hate it (or sometimes both) the Dumbloid pedals by Shin’s Music are some of the most fantastic overdrive tones you can get. Shinichi Suzuki is probably “the guy” to go to in Japan if you have a Dumble amp that needs service or repair. In his years of working on these amps, he’s learned a bit of the magic that makes them so special, and has translated some of that aural magic into his Dumbloid pedals.

So what makes this pedal frustrating at times? For me it comes down to the Accent control and the fact that this pedal sounds SO good in many different settings. First lets look at the Accent control, which is essentially a sort of a presence control that also affects the transient response of the note. The transient response is the initial attack of the pick on the string that give a note “bite” and is a big part of the Dumble ‘thing’. However this control isn’t perfect as sometimes it creates and unwanted buzzing noise when playing lightly with lower gain settings.

Turning down the Accent control all the way completely solves the issue but also muddies the tone a bit. Luckily you can max the tone control to match and have all the beautiful singing high end back in your signal. I find these controls (Tone and Accent) live in the most harmony when set inversely proportionate. When the Accent goes up, the tone goes down, but keeping the tone above the 10 o’clock position.

The other “issue” is that I love this pedal as a slightly dirty clean boost; and as a medium gain tone shaper; and as a high gain singing lead tone. It sounds so good at so many settings that I have trouble picking just one. While the Chase Bliss Automatone can get close and give you presets, it doesn’t quite have the same magic. Luckily this can be solved to an extent by buying a Dumbloid Twin. Two Dumbloids in one box, with the optional boost circuit.

To sum up, like many great amps and other effects, the Dumbloid series of pedals require some work and playing around with to find the sweet spots, but when you do it’s simply magic.

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Pedal Deals: Tube Works Blue Tube

I am starting a new series of videos and blog posts that I am calling “Pedal Deals” for now. The basic premise is to highlight some pedals that people might not know about, or have dismissed based on their price, but are actually great sounding or inspiring. As I have been getting into higher end gear over the last couple years, I am guilty as much as anyone as dismissing some of the old staples as too “pedestrian”. So let’s take a look back through some old favorites and try out some new pedals that are either at a deep discount or simply budget minded from the beginning.

The first pedal I wanted to highlight is the old series of pedals by Tube Works. These pedals are designed by B. K. Butler of Tube Driver fame (used probably most famously by Eric Johnson) and use a 12ax7 running at good voltages to generate the overdrive tones. The Blue Tube is a low to medium gain pedal, good for pushing an amp that’s already overdriving, or adding organic tube overdrive in front of a clean amp.

One popular mod is to replace the original foot switch with a high quality true bypass switch. The originals were somewhat prone to failure with heavy use, and the mod is very inexpensive especially if you can solder at even a basic level. Another much less common mod, is a power conversion. The original pedals have a permanent 110v power cable attached. This is a much more difficult mod but can make the pedal work much better on modern pedalboards.

Tube Works Blue Tube - Tube Overdrive Pedal

One interesting feature on these pedals are the knobs. They are what I can best refer to as “clicky” knobs. As you turn them they have notches you can feel giving you more exact settings and making it easier to reproduce them. Not sure how robust they are, but I haven’t seen any fail on the pedals I’ve had in the past.

The Blue Tube and other old style Tube Works pedals can be consistently had for under $150 USD (at time of writing), and if you keep an eye out and are patient, can be found for around $100. At this price they are competing with inexpensive solid state overdrive pedals and are definitely a good deal that could give you some interesting texture and tones outside of what’s normally available.

One last thought is something I still have to try, but I wonder how well these tube based overdrive pedals would work in front of a cheap solid state amp? As these pedals do sag and compress as a tube should, they may be able to add some of the feel and life of a tube amp to a solid state practice amp. I will test this out when I get a chance to borrow a practice amp.

Support the channel and buy your own Blue Tube on Reverb.

Fire Custom Shop Overdrive and Kronos Delay

When Fire Custom shop is widely known for their Carpe Diem overdrive pedal, but there is a lot more to this company than just that one pedal. A number of excellent pedals have come out from this shop and aren’t getting the attention they deserve. Today I am going to quickly go over 2 of these pedals that I find particularly good.

First up is the simply named Overdrive pedal. Even when running at 9v (many FCS pedals can take 18v) there is tons of volume on tap ready to drive you amp into sweet distortion. The Gain control also has a huge range, from clean and clear to near distortion levels of gain. The gain is sweet sounding with lots of harmonic content and just enough grit to cut without making it harsh.

The Kronos Delay is a simple delay unit with just the right amount of options and features. It’s Vintage/Modern knob lets you dial in a darker delay that falls off quicker, or a clean digital like delay that gives you bright repeats. The Tails switch is a welcome feature that lets the repeats finish after tuning the pedal off so you don’t get an abrupt cut (though you can turn it off if you need the echos to stop right away) and the Mod switch lets you add in some of the chorus and movement that gives you a tape echo vibe. With repeat length that go from super fast slap back to beyond analog vintage units on the long end, you will be set for anything less some crazy effect.

All in all these pedals are impressive in their character and feature sets, and can be had at a decent price. Right now I have a couple new units and some used ones up for sale on Reverb, so go check them out.

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J. Rockett Audio Designs – The Dude

When I first pulled The Dude out of the box I was immediately hit by the weight and solidity of it. I’m not sure what they have in there (a block of lead maybe?) but this little pedal is heavy. The controls are a bit different then what you may used to be seeing, they are Treble, Deep, Level and Ratio. Treble and level are pretty self explanatory, though you may be a bit surprised by how much volume this pedal puts out so you may need to run the level a bit lower than you’re used to. The appropriately named deep control is a very low bass boost cut that is excellent for adding some thickness to thinner sounding single coil pickups such as those on a stratocaster. Last but not least is the ratio control which mixes the distorted signal in with a clean direct through signal, giving you great articulation and attack transient even at the higher settings.

The Dude is J Rockett’s take on a Dumble-esque pedal that can go from clean boost all the way through high gain, but with a very smooth thick character that is reminiscent of a boosted Overdrive Special. As hinted to above, this pedal really excels at giving single coils some girth, and I especially like it at lower gain settings where it gives some creamy grind to the sound but lets the clean signal ring loud and clear, preserving my much beloved guitar straight to amp sound.

The Dude by J Rockett Audio Designs is an awesome pedal full of great tone for all guitars and amps in a reassuringly well built attractive enclosure. There’s a lot to like, and nothing to dislike, even the price is completely reasonable at $199 new on the street so I highly recommend you give The Dude a try.

JHS Angry Charlie v3

_MG_8652A definitive “Marshall-in-a-box” pedal from JHS that faithfully recreates the sounds of the JCM800, the Angry Charlie has been a staple in the high gain arena for a while now. In its latest incarnation JHS has added a full Marshall tone stack with Bass, Mid and Treble controls that both cut and boost. Turn down the mids and bask in the joy that is 80’s scooped metal, boost it up and enjoy more classic rock sounds full of mid driven sustain. All of the controls here are powerful enough to get a good variety of tones, as well as voiced in just the right sweet spots so that just about any setting sounds good.

There’s not much else to say about the latest JHS Angry Charlie, it cleans up well but is all about the high gain. Plug it in, turn it up and enjoy.